the mission to balance the playing field of the electronic music scene advances with the fourth release on sound warrior recordings, a label run by jenifa mayanja of bu� mako recordings and dakini9 of plan b recordings. the mission of sound warrior recordings is to promote and release music exclusively by female electronic music producers. �gwarrior tones�h features berlin�fs singer/songwriter/producer daniela la luz, who has released extensively on rawax and housewax, french label owner and ultradeep producer whim�ee, who�fs been seen on trojan horse records, night drive music and abstract/culture, and sound warrior co�bosses jenifa mayanja and dakini9. this ep features four deep cuts for the dance floor, all created by female producers who have been working in the industry for over 40 years collectively! yet they remain largely under the radar. with sound warrior recordings, we hope to correct the extreme imbalance of men and women performers in the house and techno underground.

nice price deal !!! after a year of silence, the mosso imprint returns with a new record charged with perfectly crafted percussions, hypnotic basses and the unmistakable mosso rhythms. 2014 was a calm and introspective year for alejandro, who spent the most part of it writing a soon to see the light album and a series of singles for 2015. ! the catalogue 006 is a blunt call to your feet and basic impulses. it awakens your deepest nomad nature and puts you in movement for the next adventure. ! the a side opens the record and immediately pushes you into the water flow of the dobagan river from where it takes its name. meandering melodies carried by rolling waves, so vigorous that it feels impossible to escape, driving you until the very end of the stream. a sound journey thru north argentinian landscapes. ! formosa on the b side, pulls you against the tide in a slower but not less seductive manner. a laid-back pace of precisely tailored congas opens up the way to a drifting pad filled with tension, slowly swallowing you into an unknown territory. it feels exotic and unexplored, yet so undeniably pleasant.

benedikt frey heads this latest offering from the batti batti label, teaming up with jonas.san for -girl from venus-, which pair the former s signature raw drums with the latter s outtakes of muted trumpet. complementing this, batti batti s own owen jay & melchior sultana lay down a typically deep atmospheric houser with a few twists and hidden melodies in the shape of title track tribal roots and the 12inch is further embellished by productions from debutant lars behrenroth and mexican duo romeo c & alhan g who have previously been featured on a digital batti batti release.

i entered rapidly in the darkness, searching for a secure place, i cheated myself, i walked through paths travelled by those ones who get lost. i’ve dreamt many times the light in the distance always bumping into an illusion, the illusion in my mind. i ask to calm down to the screams in my ears, to cease to the voices in my mind. i look lost around me, nothing is in possession of my senses anymore. i fall, asleep.

every week end im going to concrete to listen the artists who are playing there. i m talking about music with them , and do the same with people sharing the dancefloor with me. i collect all these inputs and ideas, all this energy, to define what concrete music dna is. because of this variety of people, tastes, and point of views, the label can t be reduced to one and only genre. to make the music more easy to apprehend, we are splitting the label in 3 parts, 3 differents moods, or more precisely, 3 times of the day... concrete music 7am contains the kind of music you could easily listen in our club at dawn, when the light is blue and the sun starts to filter through the mi-closed shutters. minimalistic, freaky or mellow, but always deep. concrete 3pm is definetly turned to house music. 3pm is the time when smiles are on every face, when the same vibe, the same energy, is going through every stomach in the room, and the crowd becomes one same entity. concrete music 4am aims for the more techno and black side of the music we love. at 4am, fists are pumping the air, or heads are down and eyes closed. it s not about how hard or fast the kickdrum beats, but how thick the atmosphere is.

jaumet is back,but not alone,he asked 3 remixers to revisit his track la visite.on the a side,we have a brand new band from duseldorf,the wilde jagt.we know the boys from their previous band,der rauber und der prinz(released of desolat)which a favorite from everyone at versatile.thet deliver a surprising mix of la visite,in a pure kraut fashion(neu is not that for).on the flip,the french man low jack turns the tune into a dub marécage.multi layered music typical of the low jack.and finally,gilb r,so inspired by jaumet,delivers his own ambiant version of one the highlight of jaumet s album,midnight man(a tribute to i:cube who use to come at the studio at night at that time)

stephane lefrancois & jameson gilvarry team up for the latest 12inch from the secret music label and find inspiration from a canine icon of space travel. laika is named in honour of the first cosmonaut dog, depicted here on the cover art and lefrancois and gilvarry convey her journey through an uplifting, rolling techno cut that doesn t seem to stop building. complementing the original is a remix from dantiez saunderson who strips down the groove, while giving it a swung, offbeat feel. staying true to the original, this version also introduces another layer of melodic synths, extending the journey, making it deeper and moody. the booming, clean low end and bouncy high end keep the groove propelling forward.

more late 70s westcoast yachtpop you can almost dance to. delivered on heavyweight 180 gram double vinyl in gatefold sleeve

last summer theo parrish toured europe with a badass band he calls the unit, comprised of himself on keys and vocals, lead vocals by ideeyah, amp fiddler on keys and backing vocals, myele manzanza on drums, mr. mensah on bass and keys, duminie deporres on guitar and dancers jade soul, mai le, dominique choreographed by gehrik. on stage they covered sound signature classics, cuts from theo’s latest lp and a selection of theo’s favorite dancefloor tracks, and the label are excited to be putting out a few of the recordings made during the tour. starting with this two track 12 inch, the a side is a cover of skye’s ain’t no need. for those who know, the b side is a rendition of walking thru the sky from theo parrish’s 1996 baby steps ep.

first release for brand new label basement night feeling sound. two tracks from scm recommended for those who loves the dance floor! only 300 hand numbered copies, vinyl only release, save your dont sleep!

after 1 good year of hiatus & celebrating its 6th year in the game, room with a view is back in full effect with a very special 3 tracker by kyodai, a duo that has been gathering serious momentum after highly celebrated releases on local talk, exploited, freerange or pokerflat to name a few. the famous brother pair has proven to be working hard in the last years recording, remixing & touring extensively. reknown for their energitic live performances & to have deliver tracks & remixes that have been played by the who s who of the global house scene, kyodai have decided to choose rwav to deliver some very personal tracks. in 2013 already, they appeared on our label with the uplifting what you give that became on of the key tracks of the live sets of the last 2 years.

for the third vinyl release on elarum we present to you another great artist named tolga top from berlin, germany who brings to your ears three house/techno tracks into this powerful ep >real flows< that also includes an amazing collaboration remix by - bronxy & gorbani

anakronik is the brainchild of andrey, one half of the audiotheque duo, who ve been involved in the scene for a while now albeit with discreet output. through anakronik their vision and ideas of timeless, spaceless music, that just is, will be revealed, starting off with their own, purpose-named, genesis debut single. the original version will see you through a mellow, heartfelt journey spanning the entire first side of the record. warm and discreet yet mufti-dimensional in it s drive and commitment, it s surely going to be a delight to dance to on any floor. the flip-side sees master of groove and mystery cristi cons doing what he does best, re imagining the original into a rolling sensual experience that will surely excite your senses and dancing feet throughout it s duration.

nologo is back with 2 essential, tried and tested underground club tracks. orlando b serves up side a with dark world, an epic, slow burning, dark-house journey. dark world begins completely stripped back before the main hook, an eerie hypnotic vocal is introduced. funky percussive elements creep in which drive the piece forward and a deep minor pad heightens the tension setting the tone for the rest of the track. the energy builds gradually with the addition of a 303 bass line peaking just before the end, taking the listener on a dark hypnotic trip. on the flip, is none other than house & techno legend mr g who uses the dark world vocal but takes it somewhere new providing his own unique and distinctive flavour. mr gs rum remix is a dark and twisted peak-time banger, the high energy from the off set perfectly complementing the slower vibe of the original. plenty of sub and twisted synth action keeps the momentum high and the dark stab he uses punctuates the vocal nicely giving it a raw edge. dark world is an essential addition to the record bag for darker dancefloors. dj deep: i love this, your remix is super funky and dark at the same time!!! dope! tom (panorama bar): ufff nice and dark.....another mr g gem. to be served with the rum rush...

san francisco/paris-based label spring theory is back with its fourth release. called sweet bitter love, it s a four track ep of manic sample-driven house from keita sano, a japanese producer who s been on a roll lately with releases for like-minded imprints discos capablanca, mister saturday night, and strictly groove recordings. sweet bitter love kicks off with the tripped-out flair of -once i found a diamond.- it s an uplifiting bongo-led cut with dubby melodics that sound like the kind of thing sleeping bag records would have put out in the early 80s. jacques renault provides a leaner peak-time version — complete with hard-hitting snares and growling bass — via his -once i found a diamond (jacques renault trouble funk remix).- things take a turn for the delightfully weird on the ep s namesake -sweet bitter love.- starting like a straightforward house cut, it explodes into a psychedelic collage of spaghetti western guitars, tribal calls, displaced jazz fills, and other forms of cleverly sampled soundtrack exotica. the release wraps up with yet another curveball on -bouzouk.- here sano lays out a subwoofer-knocking ny garage house rhythm that takes a left turn with frenzied bouzouki playing charting arpeggios through a haze of echoing foreign voices. taken as a whole, sweet bitter love is that rare idiosyncratic bomb of an ep that will keep your dancers moving and your trainspotters guessing — in other words, it s spring theory through and through.

to release a new piece of music, it would seem, is to enter a competition for approval and appearances: who will play that track and how many will follow. likes. clicks. transient signs of appreciation, or perhaps just vague nods of confirmation. but what about all those values inherent in music that just cant be quantified? if merely one single person would listen to these songs and find herself or himself genuinely moved by them, wouldnt it be worth it? we think so. we really do.

here one of his big hitters let me go feat. elif biçer gets remixed by deep house legend fred p, as well as leo cubanero and deadbeat. new york s soul people boss and underground talent fred p goes rst and unsurprisingly his track is spiritual and way below the surface, with emotive female vocal coos and skipping drums all laced up in mesmerising and soulful pads. then comes leo cubanero, who has been producing on label like festplatten and nachtfrequent since 2003, and he ips the track into a liquid tech house affair with libidinous vocals and freaky synths and pads that add as spooky air to proceedings. lastly, montrealer deadbeat lays down a sublime minimal dub remix that is gooey and lazy, elastic and seductive in all the right ways, especially when the sexy vocal comes in

having carefully honed an inimitable sound that caresses the left-facing corners of techno and house, this release marks a special milestone for a true music lover and producer wizard from austria, who is in the game for more than a decade. after release contributions to various artists ep&#700,,,,,s on comfortzone, one step back ahead and sama recordings (sama001, samadigi001) laminat aka kobermann steps up with his first ever solo ep showcasing his unique desire to fuse body and soul into its preternatural harmony, layer after layer after layer.

a 4 track ep of contrasting house grooves from freddie norwood, one of the leading lights of adelaides burgeoning house scene who has previously released on the highly respected untzz imprint.

chicagos original bernard badie is back and delivers four new tracks for mojuba! the creator of the classic time reveals is showing his skills with this new ep to the fullest! his vision of chicago house 2015 comes in four different flavours and will please everybody who loves quality and kicking house music! open up you ears and let the music make you dance!

darkel is the solo project of jean-benoît dunckel, who is also known as half of the french duo air. his first solo album came out in 2006, at the same time as charlotte gainsbourgs 5:55 album that he produced alongside with his acolyte from air. as well as participating to mythical soundtracks with air (virgin suicides, lost in translation, marie antoinette, quartier lointain, pioneer), jean-benoît composed the score of bee, je mappelle hmm, and also the quirky film cyprien but always in a very organic and solar electronic spirit.

after touring the world like no other techno artist on this planet and focusing on his ibiza-parties and mix-cd-projects our most wanted techno shamen sven vaeth returns with a new 12inch finally! well, its not really a new solo production to be honest as it is a remix-treat sven received from adam port who fell in love with the 1993 classic ritual of life.

medeia records launches with mioh, a young and talented artist from mannheim, germany, who is running medeia records. his deep vibes are suitable for everydancefloor. coming up with a remix from the ukranian based io mulen.
support by: nekes, ray okpara, sedee, matt star, robert drewek, julian perez, patrick klein, nils weimann, lowris, archie hamilton, rossko, bunte bummler …

haunted doorbell are timothy j. fairplay and matilda tristram who released xylophone together last year on astro lab recordings. picking up where xylophone left off unconnected thoughts on jacking is four tracks of naive melodies, rough slamjack drums, and new age atmospheres. starclash kicks off side a, with its dramatic arpeggios and sid chip crashes, techno to soundtrack the saturday night laser show at the planetarium. following is a night of adventure with its eastern scales and washy broken chorus unit hiss. on side b we have beautiful sheffield - an ode to electronic musics (possibly) most important british city and the title track rounds of the ep - house music for listening to while looking out to sea.

final chapter was started in 2013 by stockholm s sean dixon, along with support from perseus traxx. a label which is happy to let the music do the talking, final chapter is now on it s fifth release, and shows no sign of being prepared to letting the book close. the journey of detroit and chicago influenced house and techno continues on this release as label head sean dixon presents an ep split between himself and boston s john barera, who s previous releases outside of his own label, supply records, have issues fourth on soul clap and dolly, as well as steffis panorama bar mix cd on ostgut ton. remix duties come courtesy of berlin based producer, palms trax, who s first outing was in 2013 on lobster theramin.

ltd nice price -
in 1976, nile rodgers & bernard edwards founded the legendary chic organization ltd. together they wrote and produced many number one hits and very quickly became the biggest hit music factory since motown.
the 12 inch singles collection includes the bands biggest and best-loved hits. cuts like *dance, dance, dance, dance (yowsah, yowsah, yowsah)*, *everybody dance*, and *good times* show why chic are the band who have been getting us on the dancefloor for over 25 years!
the five 12 inches (45 rpm) records are individually cased in disco bags, and housed in a hard slipcase. perfectly packaged for commandeering the dj booth!

nice price deal !!! lightfield marks the first release of the berlin based label soundscape records and debut ep in the long career of cem orlow whos own mindfulness and altruistic beliefs serve as the foundation and ethos of soundscape records. the ep features an instrumental version as well as a dancefloor-friendly remix from fred p who takes the track into after-hour territory with atmospheric chords and a beautifully crafted aesthetic.

2000black switches up the funk flow on 2035black with a release from our dear friend dominic stanton aka sonars ghost.

lunar disko is back once again. this time to present ldr_17, featuring another firm lunar favourite - john heckle. heckle debuts on lunar disko with 5 raw cuts from a distant dimension. encompassing much of the merseysiders signature sound, *blues for a red giant* shimmers throughout with distorted percussion, otherworldly melodies, and driving basslines to create another masterful ep from an artist who continues to push the boundaries of house and techno.

some facts about duncan gray... he is a multi-instrumentalist tune smith... he has a label called tici taci... he was, along with our kid, one half of the criminally under-rated machine funk duo the sons of slough who produced an album of elastic electro (milk, milk, lemonade) and invented electro-bingo (two fat ladies... aux 88). he has recorded a cover version of robert calverts (ex-hawkwind) *lord of the hornets*... he has played space guitar on a number of my remixes (we like to call his sound pink wray). he has given me 4 tracks of low-slung sleazey loveliness to release on bird scarer...
andrew weatherall : march 2015

nice price deal !!! from perú in the a side -he did- show us a groove matching by deep melodies that subtly make us dance, on the other hand, the b side is produced by a romanian guy -suolo- who show us his quality on drums and strong party spirit. these are the talents that are part of the second installment of ipsum records, only for vinyl lovers.

third dilated records release is coming from romanian octave who delivers two dynamics and hypnotics tunes for the worldwide afterhours dance floors

‘psych , the long-awaited freaks album released in 2014 gets a re-release in 2015 with some brand new remixes. freaks, a musical partnership between luke solomon and justin harris that s spanned twenty years and includes the music for freaks label, four albums, and an avalanche of singles on the likes of playhouse and hot creations to crosstown rebels, news and international deejay gigolos. the album was released to rave reviews and featured a much awaited gathering of material from the late 00s onwards, including collaborations with robert owens, stella attar and diz washington. this 12- includes interpretations from dave aju, jamie 3:26 and freaks. for over a decade, san francisco innovator and a vital part of circus company, dave aju has been producing and performing his unique brand of electronic dance music, a consistently fresh and expressive sound. his remix of situations makes no exception, a strong piece of jacking house music with bubbling sub bass, strong raw percussive beats, and an effective use of diz vocals and the flute sound. on the b side misfits is reworked by chicago s master jamie 3:26 who turns the tune into an acid house monster and by freaks themselves who extend their original version for dance floor action. a strong package…and more to come !

nice price deal !!! we are here again our first vinyl release (respect ep) , is the time of italian duo neverdogs and hungarian reelow , they brings respect ep , two tracks tech-house with a nice percusions and dark vocals , perfect for a music travel. ilario liburni is the artist who remixed these genius with a deep dub house version than original (respect) .on the other hand we bring one of the most valued young artist in spain: lower & osp with his dub vision of serum (original mix). enjoy with us! welcome to hopeless!

okain is a french dj and producer who s grown up in paris. he has previously released on labels such as tsuba, bpitch control, quartz, viva and upon you which, has gained him recognition across the board. he has toured around the world at clubs such as fabric, rex club, row 14, watergate and more helping him to become one of the most charted artists on resident advisor. a new name to join the ever-expanding truesoul roster is okain . his first ep on truesoul majestically crosses the paths between house and techno. using deep underlying sub bass rhythms throughout his tracks, okain creates grooves that maintain an extremely funky feel throughout this ep.

vinyl sampler 1 of a comprehensive journey in the essence of chicago house music, featuring forgotten gems, future classics, highly sort after originals and obscure edits...
this is how it started focuses heavily on the early days of the chicago sound, especially in the formative years at ron hardy s music box.
following chicago s disco demolition night in 1979 the genre s popularity fell dramatically, hence fewer disco records being released.in this era chicago s djs such as hot mix 5, hardy, knuckles & jesse saunders played a variety of styles mixing in italo, electronic pop music, electro-funk and older disco joints often playing their own edits which focusing on the portions of the songs which always rocked the dancefloor. at the end of 1982, when dj frankie knuckles left the warehouse to open the power plant, ron hardy started to dj at the warehouse s new location until owner robert williams renamed it the music box. in 1984, a local label released a 12-inch single called -on and on- by locals jesse saunders & vince lawrence who had simple made the song in order to replace a record which had been stolen from saunders collection, the -on & on- bootleg disco megamix by mach. hence chicago house music was born and a modern day phenomenon followed.

no label coverartwork - standard cover. the unstoppable force that has become the will & ink label now offers up its first remix ep. those hand picked to work their own magic on three originals by the the will & ink production duo are fachwerks roman lindau, arts label owner emmanuel and yaleesa hall, the mysterious artist who released her debut ep on this label back in 2014

for fasten07, we are very pleased to welcome one of our favorite artists to the label. sonodab, known from releases & remixes on fear of flying, trazable recordings, kina music and infuse to name a few, comes here with his debut on fasten musique vinyl only. the ep includes gipsy minimal groove and a stunning remix by sinob satosi who is a next japanese rising star.sinob has just released his new ep * flash* with boola for vinyl club. monomial ep is due to be released in may 2015 in a record shop near you. vinyl only!

great various artist from dhaze, ilario liburni, kirik, mau. artists who have been releasing on memoria before, but make there vinyl debut to celebrate the 5th birthday of memoria recordings. limited copies available, no repress!

klamauk are all set to reveal their second release of 2015 with this excellent offering from their very own tilman. this 5 track ep takes in a broad ranging musical spectrum from the warm, emotive house of voyager to the eerie acidic groove of outer space. the ep really shows off the prowess of tilmans productions who has been going from strength to strength of late and is a great addition to the klamauk catalogue.

cem enters the spm universe with deep experimental vibrations that conjures imagery in the imagination. his genuine approach to other music make this ep very special. it is a true find for those who are not as others.

as spring dawns, rhythm section international go from local artist to a pair of very * local* artists - peckham’s very own chris watson + chris coupe, otherwise known as fyi chris , who present the ‘back in the millennium’ ep as the labels 5th offering. the ep was born after a rather hazy late night listening session at rhythm section hq, where bossman bradley zero was instantly beguiled by the duos hypnotic and rhythmically complex arrangements. the record begins abrasively with the trance-inducing mechanical stutter of back in the millennium , before shuffling into downbeat number * jeru* and then picks things up with the peak time groove of * need i say more* before bringing us back down to earth with the melancholic acid bump of * dedication*. early support from osunlade, mr.g, ryan elliott & damiano von eckhert. ready for club use.

toronto native and production chameleon sean miller joins the ranks of josh winks ovum recordings. after recent releases from the likes of wink himself and vince watson (who released the labels 250th release at the end of 2014), miller takes the helm for this bumping, grooving slice of tech house mastery with a latin twist.

new york is awash in emerging young dance producers of different stripes, and, with your go, the debut ep from love letters, a new name is added to the artists community who together are revitalizing the long-dormant dance scene.

thomas leer is an innovative electronic musician who was born in port glasgow, scotland. he began singing for a local band at age 13, and was writing his own music by 18. by 1977, he had moved to london, where he fronted pressure, a clash

the second of the untld protagonist series, by furz, savours the spirit of alfred tailor, an influential figure in the development of the bright young artist, whose first ep is strong and smooth, with raw energy, sultry and primal. the title track is remixed by laurine frost, who inspired by the south american hypnosis of the artist, takes it further, developing the dialogue and deepening the percussive structure, whilst maintaining the mystique and spirit of alfred tailor. the second original work on the record, entitled torino soul is an ode to the automobile of alfred tailor, it opens serenely as if racing through the valleys of cordoba s horizon, scenery rushing by on a hot day. amidst this, the mechanical metal of the engine revolves in it place, as we are rushed forward, and the voice heard a memory both of the machine and the man, alfred tailor.

played by martin haberland, james ornate, james what, agnostic rhythm, anna wall, lance desardi, kammerton
following the release of their debut lp, keep up appearances on their new label modelmaker, dan berkson and james what draft in frank & tony, dana ruh, dorisburg and alan doe for remixes. berkson & what have chalked up many releases on poker flat and crosstown rebels over the years whilst most recently turning heads outside of their own modelmaker imprint via singles for dogmatik and seth troxler s play it say it. the duo s lp, released in january, marked a new chapter in their production history and has seen support from josh wink, mr g and skream over the past few months. keep up appearances - remixes opens with anthony collins and francis harris superb frank & tony alias taking on seraphim which results in a tense but understated piece of layered, classic sounding house music while dana ruh, fresh from her excellent debut lp on underground quality last year, drops an eerie recreation of worship that draws on spacey synths and unsettling ambience. dorisburg, known for outstanding material on sweden s aniara amongst others, continues a sterling run of form with a rendition of feel free which employs soaring chords to fashion a luscious and elevating take on the original. rounding off the package is berlin producer alan doe, an artist who debuted on rue de plaisance in 2014. doe s worship remix is squarely dancefloor-aimed with punchy kicks, smokey effects and teasing keys

rat life returns with the pagan rites on catalog number 4. little is known about the band from sweden, first signals were received in 2010 when they submitted their track 03 to the ifm demo contest. in october last year rat life sent out a submarine to search the swedish coast line for the small hut where the duo records their songs (apologies to the swedish authorities at this point, who confused our research with a russian military threat). all four tracks are packed with bittersweet melancholia, reflecting the neverending darkness of cold scandinavian winter, still the midnight sun is always in sight on the horizon! already recorded between 2008 - 2013, rat life records is very happy to finally make this music available on vinyl.

the original he serves up here is my groove, a firmly rooted and solid bit of house music with classically inclined vocal chants by gjeazon from crazy like a fox records, that recall eddie amador s biggest cut. subtle details embellish the groove and make it all the more standout, and those deep looping basslines really pull you into the middle of the track, which also has airy hi hats and a sleazy sense of funk. the first remix comes from afterparty founder, rinse fm radio host, former usher tour dj, southern fried affiliate and pioneer collaborator doorly, who also runs his own pigeon hole label. his remix smooths out the kinks and simmers a grainy groove for seven shuffling, seductive minutes. rolling effects and a big breakdown are sure to make for some fist pumping moments in the club. last to remix is play it down producer and foremost danish dj christian nielsen. he does so with an increased sense of urgency and his track hits that bit harder as a result, all thanks to a dirty down low bassline that just rolls and rolls.